RONNIE LANDFIELD |
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www.abstract-art.com/landfield
or www.ronnielandfield.net or
www.ronnielandfield.com |
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1947 |
Born,
Bronx, New York |
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Resides
in New York City |
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1962-65
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Kansas
City Art Institute, San Francisco Art Institute, |
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The
Art Students League, New York City and Woodstock, N.Y. |
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Represented:
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Stephen
Haller Gallery, New York City ,
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LewAllen
Galleries, Santa Fe, New Mexico |
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SOLO EXHIBITIONS: |
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2009 |
40thAnniversary Exhibition, Stephen
Haller Gallery, New York City |
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Forty Years of Color Abstraction, LewAllen Galleries, Santa
Fe, NM |
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2007 |
Painting From Five Decades, The Butler Institute of
American Art, Youngstown, OH |
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Toward
Monochrome, Heidi Cho Gallery, New York City |
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2006 |
3
Paintings, 750 Seventh Avenue and 49th Street, New York City |
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Public
Installation – November 2004 – December 2006 |
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2005 |
Color Coded, Heidi Cho Gallery, New York City |
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2004 |
6
Paintings, 450 Lexington Avenue, New York City |
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(Six-month
Public Installation) |
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Karen
Lynne Gallery, Boca Raton, Florida |
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2002 |
3
Paintings Tower 49, New York City |
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(twelve-month
Public Installation, with 5 paintings) |
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2001 |
Waddington
and Tribby Galleries, Boca
Raton, Florida |
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2000 |
Salander-O'Reilly
Galleries, New York City |
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1999 |
Claudia
Carr Gallery, New York City |
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1998 |
Jaquelin
Loyd Gallery, Ranchos des Taos, NM |
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1996 |
Jaffe
Baker Gallery, Boca Raton, Florida |
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Continental
Gallery, Sapporo, Japan |
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1994 |
Nicholas/Alexander
Gallery, New York City |
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Stephen
Rosenberg Gallery, New York City |
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1991 |
Jaffe
Baker Gallery, Boca Raton, Florida |
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Robert
Kidd Gallery, Birmingham, Michigan |
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Richard
Nadeau Gallery, Philadelphia, PA. |
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1990 |
Stephen
Haller Fine Art, New York City |
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1989 |
Stephen
Haller Fine Art, New York City |
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Linda
Farris Gallery, Seattle, Washington |
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SOLO EXHIBITIONS: ContÕd. |
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1988 |
Stephen
Haller Fine Art, New York City |
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Hokin/Kaufman
Gallery, Chicago, Illinois |
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Grace
Hokin Gallery, Miami, Florida |
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Brunnier
Museum, Iowa
State University, Ames, Iowa |
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(10
year Retrospective) |
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1987 |
Stephen
Haller Fine Art, New York City |
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Linda
Farris Gallery, Seattle, Washington |
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1986 |
B.R.
Kornblatt Gallery, Washington, D.C. |
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1985 |
Grace
Hokin Gallery, Miami, Florida |
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Hokin/Kaufman
Gallery, Chicago, Illinois |
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Louis
Meisel Gallery, New York (works on paper) |
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1984 |
Charles
Cowles Gallery, New York City |
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Linda
Farris Gallery, Seattle, Washington |
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B. R.
Kornblatt Gallery, Washington, D. C. |
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1983 |
Charles
Cowles Gallery, New York City |
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Medici
- Berensen Gallery, Miami, Florida |
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1982 |
Charles
Cowles Gallery, New York City |
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B. R.
Kornblatt Gallery, Washington, D.C. |
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Nexus
Gallery, Atlanta, Georgia |
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1981 |
Medici-Berensen
Gallery, Miami, Florida |
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Linda
Farris Gallery, Seattle, Washington |
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Bank
of America, World Headquarters, San Francisco, Ca. |
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(Public
Installation) |
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1980 |
Charles
Cowles Gallery, New York City |
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B.R.
Kornblatt Gallery, Washington D.C. |
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1979 |
Sarah
Rentschler Gallery, New York
City |
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Linda
Farris Gallery, Seattle, Washington |
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Medici-Berensen
Gallery, Miami, Florida |
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1978 |
Sarah
Rentschler Gallery, New York City |
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B. R.
Kornblatt Gallery, Baltimore, Md. |
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Linda
Farris Gallery, Seattle, Washington |
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1976 |
B. R.
Kornblatt Gallery, Baltimore, Md. |
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Corcoran
and Greenberg Gallery, Coral Gables, Florida |
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1975 |
Andre
Emmerich Gallery, New York City |
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1974 |
Andre
Emmerich Gallery, New York City |
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Corcoran
and Greenberg Gallery, Coral Gables, Florida |
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Janie
C. Lee Gallery, Houston, Texas |
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1973 |
Andre
Emmerich Gallery, New York City |
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1971 |
David
Whitney Gallery, New York City |
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Corcoran
and Corcoran Gallery, Coral Gables, Florida |
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SOLO EXHIBITIONS: ContÕd |
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1970 |
Joseph
Helman Gallery, St. Louis, Mo. |
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New
Gallery, Cleveland, Ohio |
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1969 |
David
Whitney Gallery, New York City |
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SELECTED GROUP
EXHIBITIONS: |
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2010 |
In Context, Group Exhibition. Stephen
Haller Gallery, New York City |
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ItÕs a Wonderful Tenth, Sideshow Gallery,
Williamsburg BÕklyn, NY |
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Faculty
Exhibition,
The Art Students League of New York,
New York City |
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50
Works for 50 States. Dorothy and Herb Vogel Collection, Exhibitions in
participating museums. |
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2009 |
It's a Wonderful Life, Sideshow Gallery, Williamsburg,
BÕklyn, NY |
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Faculty
Exhibition,
The Art Students League of New York, New York City |
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Expanding Boundaries, Lyrical Abstraction, Selections from the
Permanent Collection, Boca Raton Museum of Art. |
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THE
POINT of CONVERGENCE, Stephen Haller Gallery, New York City |
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CONTINUUM,
Stephen Haller Gallery, New York
City. |
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2008 |
Other Ideas, Charles Cowles Gallery, New
York City |
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Faculty
Exhibition,
The Art Students League, New York City |
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Peace, Sideshow Gallery,
Williamsburg, BÕklyn, NY |
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CONFLUENCE, Stephen Haller Gallery, New York City |
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Art Hamptons International Art Fair, East Hampton, NY |
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Contstant Aesthetic, Stephen
Haller Gallery, New York City |
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2007 |
Inaugural
Exhibition, Jacobsen Howard Gallery,
(68th Street Space), Fall |
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Faculty
Exhibition, The Art Students League of New York, New York City |
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Works
on Paper, Jacobsen Howard Gallery, NYC - Summer |
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Fluid
Fields, The Painting Center, NYC, Curated by Susan Shatter. |
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Group
Exhibition, Stephen Haller Gallery, New York City |
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ABSTRACTION, Charles Cowles Gallery, New York City |
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2006 |
Group
Exhibition, Yellowbird Gallery, Newburgh, NY |
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Group
Exhibition, David Klein Gallery, Birmingham, Michigan |
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Faculty
Exhibition,
Art Students League, New York City |
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Works
From The Collection, Greenville County Art Museum, South Carolina |
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Gallery
Group Exhibition,
Donna Tribby Gallery, West Palm Beach, Florida |
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2005 |
Group
Exhibition, Galerie Panajel, Paris, France |
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Contemporary Landscapes: Three Artists, Brik Gallery, Catskill, NY |
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Group
Exhibition, Yellowbird Gallery, Newburgh, New York |
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Benefit
Exhibition for the Art Students League, Salander / OÕReilly Galleries, NYC |
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Faculty
Exhibition,
Art Students League, New York City |
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Christmas
Exhibition, Sideshow Gallery, Williamsburg, Brooklyn |
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Fall
Benefit Exhibition, New York Studio School, New York City |
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Gallery
Group Exhibition,
Donna Tribby Gallery, West Palm Beach, Florida |
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Gallery
Group Exhibition,
Karen Lynne Gallery, Boca Raton, Florida |
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Works
From The Collection, Greenville County Art Museum, North Carolina |
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2004 |
S.M.S.
THE LETTER EDGED IN BLACK PRESS, curated by Tricia Van Eck, Museum of Contemporary
Art, Chicago |
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Benefit
Exhibition for the Art Students League, Salander / OÕReilly Galleries, NYC |
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Faculty
Exhibition,
Art Students League of New York, New York City |
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SELECTED GROUP EXHIBITIONS:
ContÕd |
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2004 |
Christmas
Exhibition, Sideshow Gallery, Williamsburg, Brooklyn |
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Fall
Benefit Exhibition, New York Studio School, New York City |
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Gallery
Group Exhibition,
Donna Tribby Gallery, West Palm Beach, Florida |
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Gallery
Group Exhibition,
Karen Lynne Gallery, Boca Raton, Florida |
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Works
From The Collection, Greenville County Art Museum, South Carolina |
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2003 |
THE
BIG CANVAS,
Paintings from the permanent collection, Sheldon Memorial Art |
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Museum,
University of Nebraska at Lincoln, NE. |
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Reinterpretting Landscape, Office Ops, Brooklyn, New
York |
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Benefit
Exhibition for the Art Students League, Salander /OÕReilly Galleries, NYC |
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Faculty
Exhibition,
Art Students League, New York City |
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Christmas
Exhibition, Sideshow Gallery, Williamsburg, Brooklyn |
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2002 |
Fall
Benefit Exhibition,
New York Studio School, New York City |
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Benefit
Exhibition for the Art Students League, Salander / OÕReilly Galleries, NYC |
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Faculty
Exhibition,
Art Students League, New York City |
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Christmas
Exhibition, Sideshow Gallery, Williamsburg, Brooklyn |
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Fall
Benefit Exhibition, New York Studio School, New York City |
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2001 |
2001
Gallery Group Show, Waddington & Tribby Fine Art, Boca Raton, Florida |
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Art
in Embassies, U.S. State Department, Havana, Cuba |
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Faculty
Exhibition,
Art Students League, New York City |
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Invitational,
Sideshow Gallery, Williamsburg, Brooklyn |
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2000 |
Faculty
Exhibition,
Art Students League, New York City |
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Gallery
Group Show, Elaine Baker Gallery, Boca Raton, Florida. |
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Art
in Embassies, U.S. State Department, Havana, Cuba |
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Gallery Selections, Robert Kidd Gallery,
Birmingham, Michigan |
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1999 |
Abstraction, Robert Kidd Gallery,
Birmingham, Michigan |
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Self-Images, Gallery
Simonne Stern, New Orleans, Louisiana |
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Faculty
Exhibition,
Art Students League, New York City |
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Gallery
Group Show, Elaine Baker Gallery,
Boca Raton Florida |
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Art
in Embassies, U.S. State Department, Havana, Cuba |
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Gallery
Selections,
Robert Kidd Gallery, Birmingham, Michigan |
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1998 |
Benefit
for the Royal College of Art, London and the NY Studio School, David McKee
Gallery ,NYC |
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Faculty
Exhibition,
Art Students League, New York City |
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Abstraction
II, Salander/O'Reilly Galleries, New York City |
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Who's Afraid of Red Yellow and Alizarin Crimson, Sideshow Gallery, Brooklyn, NY |
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Gallery
Group Show, Elaine Baker Gallery,
Boca Raton Florida |
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Art
in Embassies, U.S. State Department, Havana, Cuba |
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1997 |
Christmas
Show, Plan Eat Thailand, Curated by Rich Timperio, Brooklyn, NY |
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Group
Show Plan Eat Thailand, Curated by Rich Timperio, Brooklyn, New York |
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3 Generations of Abstract Painting, C.S. Schulte Gallery, Millburn, New Jersey |
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Group
Exhibition, Salander /O'Reilly Gallery, New York City |
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Art
in Embassies, U.S. State Department, Havana, Cuba. |
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79/97:
Curating the Curators, Organized by Jerry Saltz,
S.V.A. Gallery, NYC |
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Gallery
Group Exhibition, Robert Kidd Gallery, Birmingham, Michigan. |
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Gallery
Group Exhibition, C.S. Schulte Gallery, Millburn, New Jersey |
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Gallery
Group Exhibition, Jaffe/Baker Gallery, Boca Raton, Florida. |
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Art
Student's League of New York,
Faculty Exhibition, New York City |
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1996 |
Max's Kansas City 30th Anniversary ,Benefit Exhibition, Larry
Gagosian Gallery, NYC, NY. |
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SELECTED GROUP EXHIBITIONS:
ContÕd |
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1996 |
Fall
Faculty Exhibition, Art Student's League of New York, New York City |
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20th Anniversary Exhibition,
Robert Kidd Gallery, Birmingham, Michigan |
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Gallery
Artists, C.S. Schulte Gallery, Milburn, New Jersey. |
|
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Inaugural
Exhibition, J.J. Brookings Gallery, San Francisco, California |
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Art
in Embassies, United States Embassy, Manila, The Philipines |
|
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SEVEN
PAINTERS,
Nicholas /Alexander Gallery, New York |
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1995 |
Fall
Faculty Exhibition, Art Student's League, New York, New York City |
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Three Abstract Artists, Nicholas /Alexander Gallery,
New York City |
|
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Gallery
Artists, Robert Kidd Gallery,
Birmingham, Michigan |
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Fall
Faculty Exhibition, Art Students League, New York City |
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1994 |
Art
in Embassies, United States Embassy, Manila, The Philipines |
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Gallery
Artists, Nicholas /Alexander Gallery, New York City |
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SMALL
PAINTINGS BIG ISSUES, Douglas Drake Gallery, New York |
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ESSENTIALS, Charles Cowles Gallery |
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10th ANNIVERSARY EXHIBITION, Stephen Rosenberg Gallery,
New York |
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1993 |
FOUR
ABSTRACT PAINTERS,
Galerie Simonne Stern, New Orleans, Louisiana |
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FOUR
ABSTRACT PAINTERS,
Ann Jaffe Gallery, Miami, Florida |
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Art
in Embassies, U.S. Embassy, Beijing, China |
|
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THE
LANDSCAPE IN TWENTIETH-CENTURY AMERICAN ART, (traveling exhibition organized by the American Federation of Arts).
60 Landscapes by Modern and
Contemporary Masters from the permanent collection of the Metropolitan
Museum., N.Y.C. March 17-May 10, 1992, Greenville County Museum of Art,
Greenville, South Carolina June
6- August 2, 1992, Madison Art Center, Madison, WI |
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Lyrical Abstraction: Color and Mood, Sheldon Memorial Art
Gallery, University of Nebraska, Lincoln, NE. June, 1 – Aug, 29. |
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1992 |
September
11- November 8, 1992, Grand Rapids Art Museum, Grand Rapids, Michigan |
|
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THE
LANDSCAPE IN TWENTIETH-CENTURY
AMERICAN ART,
(traveling exhibition organized by the American Federation of Arts, con't). |
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April
14- June 9, 1991, Philbrook Museum of Art, Tulsa, Oklahoma |
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June
29- August 24, 1991, Center for the Fine Arts, Miami, Florida |
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September
14 -November 10, 1991, Joslyn Art Museum, Omaha, Nebraska |
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1991 |
December
14, 1991 - February 8, 1992 Tampa Museum of Art, Tampa, Florida |
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Art
in Embassies, U.S. Embassy, Beijing, China |
|
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|
20th
ANNIVERSARY EXHIBITION, Linda Farris Gallery, Seattle, Washington |
|
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|
Invitational,
Galerie Simonne Stern, New Orleans, Louisiana |
|
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Art
In Embassies, United States Embassy, Beijing, China |
|
|||||||||||||
|
|
||||||||||||||
1990 |
Gallery
Group Exhibition, Stephen Haller Fine Art, New York City |
|
|||||||||||||
|
Art
In Embassies, United States Embassy, Beijing, China |
|
|||||||||||||
|
ART
AGAINST AIDS BENEFIT EXHIBITION, Los Angeles, California |
|
|||||||||||||
|
|
|
|||||||||||||
1989 |
Gallery
Group Exhibition, Stephen Haller Fine Art, New York City |
|
|||||||||||||
|
|
|
|||||||||||||
1988 |
Unmuzzled
Ox, Attitude Art, New York |
|
|||||||||||||
|
Gallery
Group Exhibition, Stephen Haller Fine Art , New York City |
|
|||||||||||||
|
|
|
|||||||||||||
1987 |
Invitational,
Ruth Siegel Gallery, New York |
|
|||||||||||||
|
Gallery
Group Exhibition, Stephen Haller Fine Art, New York City |
|
|||||||||||||
|
|
|
|||||||||||||
1986 |
Gallery
Group Exhibition, Linda Farris Gallery Seattle, WA. |
|
|||||||||||||
|
Inaugural
Group Exhibition, Stephen Haller Fine Art, New York City |
|
|||||||||||||
|
|
||||||||||||||
SELECTED GROUP EXHIBITIONS:
ContÕd. |
|
||||||||||||||
|
|
|
|||||||||||||
1985 |
RECENT
ACQUISITIONS,Des
Moines Art Center, Des Moines, Iowa |
|
|||||||||||||
|
THE
BOCOUR COLLECTION,
Yale University School of Art, New Haven, Connecticut |
|
|||||||||||||
|
|
|
|||||||||||||
1984 |
NEW
AMERICAN PAINTING,A
tribute to James and Mari Michener, University of Texas, Austin TX. |
|
|||||||||||||
|
DIALOGUES
IN ART,
Palazzo Ducale Di Gubbio, Italy |
|
|||||||||||||
|
Charles
Cowles Gallery West, Los Angeles, California |
|
|||||||||||||
|
Sarah
Rentschler Gallery, New York City |
|
|||||||||||||
|
|
|
|||||||||||||
1983 |
RECENT
ACQUISITIONS,
Metropolitan Museum of Art, New York |
|
|||||||||||||
|
Charles
Cowles Gallery, Installation: Tiffany's, New York City |
|
|||||||||||||
|
|
|
|||||||||||||
1982 |
Group
Show, Charles Cowles Gallery, New York City |
|
|||||||||||||
|
|
|
|||||||||||||
1981 |
Sarah
Rentschler Gallery, Bridgehampton, New York |
|
|||||||||||||
|
SUMMER
SHOW, Hirshhorn Museum and Sculpture
Garden, Washington, D.C. |
|
|||||||||||||
|
Group
Show, Charles Cowles Gallery,New York City |
|
|||||||||||||
|
|
|
|||||||||||||
1980 |
Mathews
Gallery, San Antonio, Texas |
|
|||||||||||||
|
Group
Show, Charles Cowles Gallery, New York City |
|
|||||||||||||
|
|
|
|||||||||||||
1979 |
THE
BIG PICTURE, Grey Art Gallery, New York
University, New York City |
|
|||||||||||||
|
THE
DOOTSON COLLECTION,
Seattle Art Museum, Seattle, Washington |
|
|||||||||||||
|
|
|
|||||||||||||
1978 |
ART
FROM THE COLLECTION,
Smith College Art Museum, Northhampton, Massachussetts |
|
|||||||||||||
|
TWO
DECADES,
Montclair Art Museum, Montclair, New Jersey |
|
|||||||||||||
|
ART
DEALERS ASSOCIATION OF SOUTH FLORIDA, Museum of Art, Fort Lauderdale, FLA |
|
|||||||||||||
|
|
|
|||||||||||||
1977 |
FIVE, Moravian College, Bethlehem,
Pennsylvania |
|
|||||||||||||
|
RONNIE
LANDFIELD and JOHN FERGUSEN, Salisbury State College, Maryland. |
|
|||||||||||||
|
|
|
|||||||||||||
1976 |
INVITATIONAL, Hudson River Museum,
Yonkers, New York |
|
|||||||||||||
|
PROJECT
REBUILD, Grey
Art Gallery, New York University, New York. Exhibition sent to Udine, Italy |
|
|||||||||||||
|
FALL
SELECTIONS,
Aldrich Musuem of Contemporary Art, Ridgefield, Connecticut |
|
|||||||||||||
|
|
|
|||||||||||||
1975 |
THE
LEWIS COLLECTION,
Delaware Art Museum, Wilmington, Delaware. |
|
|||||||||||||
|
Benefit
for Oberlin College, Leo Castelli Gallery, New York City |
|
|||||||||||||
|
|
|
|||||||||||||
1974 |
Andre
Emmerich Gallery, Zurich Switzerland |
|
|||||||||||||
|
Drawings,
Margo Leavin Gallery, Los Angeles, California |
|
|||||||||||||
|
|
|
|||||||||||||
1973 |
WHITNEY
BIENNAL OF AMERICAN ART, Whitney Museum, New
York City |
|
|||||||||||||
|
ART
FOR YOUR COLLECTION,
Pilavin Collection, Twentieth Century American Art, Part 2, Rhode Island School
of Design. |
|
|||||||||||||
|
|
|
|||||||||||||
1972 |
RECENT
ACQUISITIONS,
Museum of Modern Art, New York City |
|
|||||||||||||
|
RECENT
ACQUISITIONS, Nelson-Atkins Museum, Kansas City,
Missouri |
|
|||||||||||||
|
|
|
|||||||||||||
1971 |
BEAUX
ARTS 25TH ANNUAL EXHIBITION,
Columbus Gallery of Fine Arts, Columbus, Ohio. |
|
|||||||||||||
|
COLOR
AND FIELD,
Houston Musuem of Fine Art, Houston, Texas |
|
|||||||||||||
|
TWO
DIRECTIONS OF AMERICAN ART, Purdue University, Indiana |
|
|||||||||||||
|
ART
FOR YOUR COLLECTION,
Rhode Island Museum, Providence, Rhode Island |
|
|||||||||||||
|
YOUNG
AMERICAN ARTISTS, Contemporary Art Center, Cincinatti,
Ohio |
|
|||||||||||||
|
LYRICAL
ABSTRACTION,
Whitney Museum of American Art, New York |
|
|||||||||||||
|
|
||||||||||||||
1970 |
3
ARTISTS,
Ronnie Landfield ,Neil Jenney, John Duff, David Whitney Gallery, New York |
|
|||||||||||||
|
HIGHLIGHTS
OF THE 1969-70 SEASON, Aldrich Museum of
Contemporary Art, Ridgefield, CT. |
|
|||||||||||||
SELECTED GROUP EXHIBITIONS:
ContÕd. |
|
||||||||||||||
|
|
|
|||||||||||||
1970 |
COLOR, Katonah Gallery, Katonah,
New York |
|
|||||||||||||
|
TWO
GENERATIONS OF COLOR PAINTING,
Institute of Contemporary Art, Philadelphia, PA |
|
|||||||||||||
|
RECENT
ACQUISITIONS,
Pasadena Museum of Contemporary Art, Pasadena, California |
|
|||||||||||||
|
RECENT
ACQUISITIONS,
Bavarian State Museum, Munich, Germany |
|
|||||||||||||
|
NEW
YORK PAINTING,
Reese Paley Gallery, San Francisco, California |
|
|||||||||||||
|
LYRICAL
ABSTRACTION, Aldrich Museum of Contemporary Art,
Ridgefield, Connecticut |
|
|||||||||||||
|
NEW
WORK, NEW YORK,
American Federation of the Arts, traveling exhibition traveled to museums
around the U.S. Sept. 1970-Sept. 1971 |
|
|||||||||||||
|
Group
Show, Jack Glenn Gallery, Corona Del Mar, California |
|
|||||||||||||
|
|
|
|||||||||||||
1969 |
WHITNEY
ANNUAL FOR AMERICAN PAINTING, Whitney Museum, New York City |
|
|||||||||||||
|
RECENT
ACQUISITIONS,
Stanford Museum, Stanford University, Stanford, California |
|
|||||||||||||
|
COLLECTION
OF CHARLES COWLES, Aldrich Museum of Contemporary Art,
Ridgefield, CT |
|
|||||||||||||
|
TWO
NEW YORK PAINTERS:
Ronnie Landfield and Kenneth Showell, New Gallery, Cleveland, OH |
|
|||||||||||||
|
Group
Show, Rolf Ricke Gallery, Cologne, Germany |
|
|||||||||||||
|
NEW
WORKS, with Kenneth
Showell, New Gallery, Cleveland, Ohio |
|
|||||||||||||
|
INAUGURAL
EXHIBITION,
David Whitney Gallery, New York City |
|
|||||||||||||
|
Group
Show, Joseph Helman Gallery, St. Louis, Missouri |
|
|||||||||||||
|
MORATORIUM
SHOW, Leo
Castelli Gallery, New York City |
|
|||||||||||||
|
8
PAINTERS,
Watson Gallery, Wheaton College, Norton,Massachusetts |
|
|||||||||||||
|
|
|
|||||||||||||
1968 |
INAUGURAL
EXHIBITION,
Studio Museum of Harlem, New York City |
|
|||||||||||||
|
Invitational,
Bykert Gallery, New York City |
|
|||||||||||||
|
Drawings,
Baltimore Museum of Art, Baltimore, Maryland |
|
|||||||||||||
|
|
|
|||||||||||||
1967 |
WHITNEY
ANNUAL FOR AMERICAN PAINTING, Whitney
Museum, New York, NY |
|
|||||||||||||
|
FALL
INVITATIONAL,
Park Place Gallery, New York City |
|
|||||||||||||
|
FOUR
YOUNG PAINTERS,
Bianchini Gallery, New York City |
|
|||||||||||||
|
SPRING
INVITATIONAL,
Park Place Gallery, New York City. |
|
|||||||||||||
|
|
|
|||||||||||||
1966 |
NEW
AMERICAN PAINTERS,
Sheldon Memorial Museum, Lincoln, Nebraska |
|
|||||||||||||
|
|
|
|||||||||||||
SELECTED MUSEUM COLLECTIONS: |
|
||||||||||||||
|
|
||||||||||||||
Aldrich
Museum of Contemporary Art, Ridgefield, CT. |
|
|
|||||||||||||
Allen
Memorial Museum, Oberlin College, Oberlin, OH |
|
||||||||||||||
Art Gallery of Ontario, Toronto, Ontario,
Canada |
|
||||||||||||||
Art
Institute of Chicago, Chicago, IL |
|
||||||||||||||
Bavarian
State Museum, Munich, Germany |
|
||||||||||||||
Boise
Art Museum, Boise, ID |
|
||||||||||||||
Canton
Museum, Canton, OH |
|
||||||||||||||
Cedar
Rapids Museum of Art, Cedar Rapids, IA |
|
||||||||||||||
Delaware
Art Museum, Wilmington, DE. |
|
||||||||||||||
Des
Moines Art Center, Des Moines, IA |
|
||||||||||||||
Florida
International University Art Museum, Miami, FL |
|
||||||||||||||
Frederick
R. Weisman Art Museum, Minneapolis, MN. |
|
||||||||||||||
Greenville
County Museum of Art, Greenville, SC. |
|
||||||||||||||
High
Museum, Atlanta, GA. |
|
||||||||||||||
Hirshhorn
Museum and Sculpture Garden, Washington, D.C. |
|
||||||||||||||
Herbert
F. Johnson Museum of Art, Cornell University, Ithaca, N.Y |
|
||||||||||||||
Indianapolis
Museum of Art, Indianapolis, IN |
|
||||||||||||||
Kemper
Museum, Washington, University. St Louis, MO |
|
||||||||||||||
Lannan
Foundation, Los Angeles, CA. |
|
||||||||||||||
Memphis
Brooks Museum of Art, Memphis, TN. |
|
||||||||||||||
Metropolitan
Museum of Art, New York, NY |
|
||||||||||||||
Munson-Williams-Proctor
Institute, Utica, New York, NY |
|
||||||||||||||
SELECTED MUSEUM
COLLECTIONS, ContÕd. |
|
||||||||||||||
|
|
||||||||||||||
Museum
of Art, Rhode Island School of Design, Providence, RI. |
|
||||||||||||||
Museum
of Contemporary Art, Chicago, IL. |
|
||||||||||||||
Museum
of Modern Art, New York, NY |
|
||||||||||||||
Museum
of South Texas, Corpus Christi, TX. |
|
||||||||||||||
New
Orleans Museum of Art, New Orleans, LA. |
|
||||||||||||||
Norton
Simon Museum of Art, Pasadena, CA. |
|
||||||||||||||
Palm
Springs Desert Museum, Palm Springs, CA. |
|
||||||||||||||
Portland
Museum of Art, Portland, ME. |
|
||||||||||||||
Ringling
Museum of Art, Sarasota, Florida. |
|
||||||||||||||
Robert
Hull Fleming Museum, Burlington, VT |
|
||||||||||||||
Seattle
Museum of Art, Seattle, Washington. |
|
||||||||||||||
Sheldon
Memorial Museum of Art, University of Nebraska, Lincoln, NE. |
|
||||||||||||||
Smith
College Museum of Art, Northhampton, MA |
|
||||||||||||||
Southern
Illinois University, Carbondale, IL |
|
||||||||||||||
Spencer
Museum, Lawrence, KS. |
|
||||||||||||||
Stanford
Museum and Art Gallery, Stanford University, Stanford, CA. |
|
||||||||||||||
Udine
Museum, Udine, Italy |
|
||||||||||||||
University
of Michigan Museum of Art, Ann Arbor, MI |
|
||||||||||||||
University
Museum, University of New Mexico, Albuquerque, NM |
|
||||||||||||||
Walker
Art Center, Minneapolis, MN |
|
||||||||||||||
Whitney
Museum of American Art, New York, NY |
|
||||||||||||||
SELECTED PRIVATE COLLECTIONS: Atlantic Richfield Corporation, Los Angeles, CA - - Mikio Asai, Sapporo, Japan. - - Bank of America, San Francisco, CA. - - Basix Co . - - Richard Brown Baker - - Best Products Corporation, Richmond, VI - - Bill Blass - -
Bonniers, Inc. - - Leonard
Bocour - - Bucknell University, Lewisberg, PA. - - Carter Burden - - Chase Manhattan Bank. - - Steve Chase
Associates - - Ivan Chermayoff. -
- Consolidated Steel Corp, Detroit, MI. - - Continental
Trading Co. Sapporo & Tokyo, Japan - - William Copley. - - Charles Cowles - - Mrs. Gardner Cowles - - Herbert Cummings - - Nathan Cummings - - Central Bank, Jefferson City, MI. - - Exxon Corporation - - Federal Reserve
Board, Washington D.C. - - Franz, Prince of Bavaria - - General Electric Corporation - - Mark and Barbara Golden - - Sam Golden - - Greater Bank of Miami, Miami, FL - - Hon. Judge Thomas P. Griesa - - Joseph Helman - - Mr. and Mrs. Ahmad Jamal - - Philip Johnson - - Sidney Lewis - - Mr. and Mrs. Jack Lindner - - Mrs. Robert B. Mayer - - Larry Marcus - - Mobil Corporation - - Mondrian Hotel, Los Angeles, CA. - - Donald Newhouse - - Vernon Nickel, Clovis , NM - - New York
University, NYC. - - Northwestern University, Evanston, IL. - - Owens Corning
Fiberglass - - Mrs. Bliss Parkinson - - Pet Milk Corporation. -
- Maggie Phillips - - Prudential
Insurance Corporation - - Ranier Bank, Seattle,
WA. - - Resources Exchange Inc. - - Charles Schwab and
Co. - - Scull Collection - - Skidmore, Owens, and Merrill - - Sloan Kettering Cancer Institute, NYC. - - Sonnenblick Goldman, Inc. - - Joan Van De Maele - - Herb and Dorothy Vogel, NYC. - - U.S. State
Department, Washington D.C. - -
Washington Mutual Savings Bank, Seattle, WA. - - Westinghouse Corporation,
Pittsburgh, PA. - - David White - - David Whitney |
|
||||||||||||||
AWARDS: |
|
|
|||||||||||||
|
|
|
|||||||||||||
2001 |
Pollock/Krasner
Foundation Grant for Painting |
|
|||||||||||||
1995 |
Pollock/Krasner
Foundation Grant for Painting |
|
|||||||||||||
1983 |
National
Endowment for the Arts, Invitational Residency, Clayworks Studio Workshop,
New York |
|
|||||||||||||
1968 |
The
William and Noma Copley (Cassandra) Foundation Award for Art. |
|
|||||||||||||
1965 |
Gold
Medal for painting, San Francisco Art Institute, San Francisco, California |
|
|||||||||||||
|
|
|
|||||||||||||
COMMISSIONS AND SPECIAL
PROJECTS: |
|
||||||||||||||
|
|
|
|||||||||||||
2009 |
Public
Murals: 1177 Avenue of the Americas, New York, NY. – 2 Paintings by
Ronnie Landfield |
|
|||||||||||||
|
ÒSpirit
Past, Spirit Present,Ó 2009, 150 x 108 in. ÒEast of the AlleghenyÓ, 2009, 150
x 108 in. |
|
|||||||||||||
|
|
|
|||||||||||||
|
|
|
|||||||||||||
|
|
|
|||||||||||||
COMMISSIONS AND SPECIAL
PROJECTS, ContÕd: |
|
||||||||||||||
|
|
|
|||||||||||||
1994-95 |
Art
in Embassies Program, U.S. State Department: For Corot, 1971, 108 x
55", U.S. Embassy, Manila, The Philippines |
|
|||||||||||||
|
|
||||||||||||||
|
Seven
Painters,
Nicholas Alexander Gallery, New York, Curated by Ronnie Landfield |
|
|||||||||||||
|
|
|
|||||||||||||
1989-92 |
Art
in Embassies Program, U.S. State Department |
|
|||||||||||||
|
Elijah, 1969, 108 x 55", U.S. Embassy, Beijing, China |
|
|||||||||||||
|
|
|
|||||||||||||
1989-90 |
Designed and painted
costumes for ballet piece choreographed by Young Soon Kim, performed
in New York City and Seoul , South Korea. |
|
|||||||||||||
|
|
|
|||||||||||||
1988 |
Designed
sets for Ballet "Moon Yah Do", choreographed by Young Soon Kim,
performed in New York City and Seoul, South Korea |
|
|||||||||||||
|
|
||||||||||||||
1975-84 |
Four
Seasons Restaurant, (the East
Wall - Rothko Wall), New York City. |
||||||||||||||
|
Four
paintings by Ronnie Landfield from the Philip Johnson collection,
Installation by David Whitney |
||||||||||||||
|
|
||||||||||||||
1970 |
10
Degrees Above Zero,
11' x 20' Mural-Lobby, Westinghouse Corporation, Pittsburgh, Pennsylvania. |
|
|||||||||||||
|
|
|
|||||||||||||
PUBLISHED EDITIONS: |
|
||||||||||||||
|
|
|
|||||||||||||
1969 |
NEW
YORK 10, Print Portfolio, published by
Tanglewood Press and Aaron and Rosa Esman. |
|
|||||||||||||
1968 |
SMS
Portfolio,
publ. Letter Edged in Black Press, Vol. 3, N.Y. |
|
|||||||||||||
|
|
|
|||||||||||||
TEACHING: |
|
||||||||||||||
|
|
|
|||||||||||||
1994- |
Teacher,
Art Students League, New York City |
|
|||||||||||||
1975-89
|
Teacher,
School of Visual Arts, New York City. |
|
|||||||||||||
1968 |
Guest
instructor, Bennington College, Bennington, Vermont. |
|
|||||||||||||
|
|
|
|||||||||||||
LECTURES: |
|
|
|||||||||||||
|
|
|
|||||||||||||
2008 |
Artist
Talk on Art, Ronnie Landfield in
Dialogue with Robert C. Morgan. Oct. 3, |
|
|||||||||||||
|
|
|
|||||||||||||
2005 |
Ronnie
Landfield on Jackson PollockÕs ÒNumber OneÓ1948, El GrecoÕs ÒView of ToledoÓ,
and Willem de Kooning, with Stephen Polcari, The Art Students League of
New York, January 2005 |
|
|||||||||||||
|
|
|
|||||||||||||
2004 |
Ronnie
Landfield On His Work, The Art Students League of New York. November 2004 |
|
|||||||||||||
|
Ronnie
Landfield On His Work, New York Studio School, March 2004 |
|
|||||||||||||
|
|
|
|||||||||||||
1999 |
Do
Aesthetics Matter? a panel discussion with Arthur C.
Danto, Robert C. Morgan, Karen
Wilkin and Ronnie Landfield as
moderator, the Art Students
League, January 1999, Tape on
file at the ASL. |
|
|||||||||||||
|
|
|
|||||||||||||
1998 |
American
Abstract Artists Since the 1960's, The Harwood Museum, Taos,
NM |
|
|||||||||||||
|
Slide
lecture. |
|
|||||||||||||
|
|
|
|||||||||||||
1997 |
Raw
and Up Front III: Abstraction/Imagery, Art Student's League, New York City, A panel
discussion including William Agee, Mira Berkowitz-Goldfarb, John Griefen,
James Monte, Bill Pettet, Larry Salander, and Ronnie Landfield as Panelist
and Moderator. Video on file at
The Art Student's League, New York City. |
|
|||||||||||||
|
|
||||||||||||||
1996 |
"Abstract
Expressionism," slide lecture, Hokkaido Womens College, Sapporo, Japan |
|
|||||||||||||
|
"Colorfield
Painting and Lyrical Abstraction," slide lecture, Hokkaido Womens
College, Sapporo, Japan |
|
|||||||||||||
LECTURES: ContÕd: |
|
||||||||||||||
|
". |
|
|||||||||||||
1996 |
My
Paintings,"
slide lecture, Hokkaido Womens College, Sapporo, Japan |
|
|||||||||||||
|
|
||||||||||||||
1994 |
"Cool
and Collected or Too Hot To Handle.
A Modernist Response to Post-Modernism," Panel Discussion, text
on file, New York Studio School, New York.Panelists included: Ellen Handy, William Pettet, John
Griefen, Peter Reginato, and Ronnie Landfield as moderator. |
|
|||||||||||||
|
|
|
|||||||||||||
|
"Cool and Collected or Too Hot to
Handle" Panel Discussion,
Tenri Cultural Institute. New York
Panelists inclded: Ronnie Landfield, Klaus Kertess, Ellen Handy, Joan
Snyder, and |
|
|||||||||||||
|
Karen
Wilkin as moderator. Sponsored by Triangle Artists
Workshop. |
|
|||||||||||||
|
|
||||||||||||||
1993 |
St.
Margaret's House Slide Lecture Series, New York. |
|
|||||||||||||
|
|
|
|||||||||||||
1978 |
Cochise
Art Association, Bisbee, Arizona |
|
|||||||||||||
|
|
|
|||||||||||||
FILMS AND VIDEOS: |
|
||||||||||||||
|
|
|
|||||||||||||
1996 |
"Abstract
Expressionism," "Colorfield Painting and Lyrical Abstraction,"
"On my Work," |
|
|||||||||||||
|
Japanese and English lectures - video on file
Hokkaido Womens College, Sapporo, Japan. |
|
|||||||||||||
1994 |
"Cool
and Collected or Too Hot To Handle" video on file New York Studio School, New York. |
|
|||||||||||||
|
|
||||||||||||||
|
"Cool
and Collected or Too Hot To
Handle", Tenri Cultural
Institute, video on file with Triangle Artists Workshop, New York |
|
|||||||||||||
|
|
|
|||||||||||||
1988 |
"For
the Whales", Filmed for
television by the Canadian Broadcasting System. Ronnie Landfield, John Cage,
and other artists discussing art and environmental issues. |
|
|||||||||||||
|
|
|
|||||||||||||
1986 |
"Let
Chaos Reign", video by Rose
Hansen. A video documentation of
Ronnie Landfield painting in his studio. |
|
|||||||||||||
|
|
|
|||||||||||||
1964 |
"711
Tehama St." Animated film
by Ronnie Landfield and Peter
Reginato, San Francisco, California. |
|
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|
|
|
|||||||||||||
STATEMENTS, WRITINGS,
ARTICLES, INTERVIEWS: |
|
|
|||||||||||||
|
|
|
|||||||||||||
Landfield,Ronnie,
Thoughts on Richard Pousette-DartÕs ÒPresencesÓ, LINEA, Journal of the Art
Students League of New York, Vol.10, No.1, pp4,5. Summer 2006. |
|
||||||||||||||
|
|
||||||||||||||
Landfield,
Ronnie, The New Museum of Modern Art: An Artists View, LINEA, Journal of The
Art Students League of New York, Vol.9, No. 1, pp 5,6,7. Winter 2005. |
|
||||||||||||||
|
|
||||||||||||||
Landfield,
Ronnie, The Whitney Museum Ends The American Century, LINEA, Journal of the
Art Students League of New York, Vol. 4, No.1, pp1,14 thru18. Winter 2000. |
|
||||||||||||||
|
|
||||||||||||||
Landfield,
Ronnie, The Whitney Museum Celebrates the American Century, LINEA, Journal of the Art Students
League of New York, Vol.3, No.2,
Summer 1999, pp1, 16,17,18. |
|
||||||||||||||
|
|
||||||||||||||
Landfield,
Ronnie, Monet and Modernism, LINEA, Journal of the Art Students League of New
York, Vol.3. Num.1. Winter 1999. pp 1, 14. |
|
||||||||||||||
|
|
||||||||||||||
Landfield,
Ronnie, ÒAbstract Painting and Sculpture in New York at the End of the
CenturyÓ, introductory remarks to public forum, November 5, 1997. LINEA,
Journal of The Art Students League of New York, Vol.2, No.1, Winter 1998 p.10 |
|
||||||||||||||
Landfield,
Ronnie, In The Late Sixties, 1993-95,
and other writings - various published and unpublished essays,
reviews, lectures, statements and brief descriptives, at http://www.
abstract-art.com |
|
||||||||||||||
|
|
||||||||||||||
Landfield,
Ronnie, Seven Painters. Exhibition announcement essay, October 1995. |
|
||||||||||||||
STATEMENTS,
WRITINGS, ARTICLES, INTERVIEWS: ContÕd |
|
||||||||||||||
|
|
||||||||||||||
Landfield, Ronnie, Lyrical Abstraction... A
definition. Exhibition proposal with collection of essays, June 1995 |
|
||||||||||||||
|
|
||||||||||||||
Landfield, Ronnie, Biographical Sketch. Art Students
League Catalogue, 1994 - present |
|
||||||||||||||
|
|
||||||||||||||
Landfield, Ronnie, "Interviewed by 5 Arizona
Painters, " text on file at Guggenheim Foundation, New York . Bisbee Daily Review, Wed., Aug. 30, 1978, p.5, Culture Section. |
|
||||||||||||||
|
|
||||||||||||||
Landfield, Ronnie, "A Brief Narrative Account of
My Career", unpublished text on file at Museum of Art, |
|
||||||||||||||
|
|
||||||||||||||
Rhode Island School of Design, Providence ,Rhode
Island, Oct. 1971. |
|
||||||||||||||
|
|
||||||||||||||
Ostrow, Steve, "A Brief Biographical Essay,
" THE ALBERT PILAVIN
COLLECTION: TWENTIETH CENTURY AMERICAN ART,Catalogue, vol. 2, pp.
38-40. Published by Rhode Island School of Design Museum of Art, Providence, Rhode Island, Oct. 1971. |
|
||||||||||||||
|
|
||||||||||||||
Sharp, Willoughby, "Points of View: A Taped Conversation with Four
Painters, " Arts Magazine, Vol. 45, No.3, Dec. 1970- Jan.
1971. Ronnie Landfield, Brice Marden, Larry Poons, and John Walker. |
|
||||||||||||||
|
|
||||||||||||||
SELECTED
BIBLIOGRAPHY: |
|
||||||||||||||
|
|
||||||||||||||
Panero, James, Gallery Chronicle, The New Criterion,
Mar. 2010, Vol. 28, Num. 7 |
|
||||||||||||||
|
|
||||||||||||||
Halasz, Piri, From the MayorÕs Doorstep. No. 88: 15 January 2010 |
|
||||||||||||||
|
|
||||||||||||||
Halasz, Piri, From the MayorÕs Doorstep. No.
84: June/July, 2009 |
|
||||||||||||||
|
|
||||||||||||||
Wilkin, Karen, ÒAt the GalleriesÓ, The Hudson
Review, Vol. LXI, No. 1, Spring,
2008 |
|
||||||||||||||
Panero, James,
The New Criterion, Review: Abstractions at Charles Cowles, Feb.
2008, Vol. 26. No.6 |
|
||||||||||||||
|
|
||||||||||||||
La Prade, Erik,
ÒErik La Prad Interviews Peter Young, NY ARTS, The International Guide
to the Artworld, July/Aug 2007.
(Ronne Landfield mentioned in interview). |
|
||||||||||||||
|
|
||||||||||||||
Glueck, Grace, ÒColor Coded Ronnie Landfield and Peter ReginatoÓ,
at the Heidi Cho Gallery, Chelsea, NYC exhibition review, The New York
Times, Art in Review, Friday, November 4, 2005 |
|
||||||||||||||
|
|
||||||||||||||
Gelber, Eric, ÒColor Coded, Ronnie Landfield and
Peter Reginato at the Heidi Cho GalleryÓ, ArtCritical.com, November 2005
– online review |
|
||||||||||||||
|
|
||||||||||||||
Haber, John, ÒChanneling AbstractionÓ, Fall
2005, Haberarts.com – online review |
|
||||||||||||||
|
|
||||||||||||||
Halasz, Piri, ÒSomething for EverybodyÓ, NY ARTS, March/April, 2005. |
|
||||||||||||||
|
|
||||||||||||||
Jeanne McCarthy, ÒReinterpretting LandscapeÓ,
Office Ops, Brooklyn, New York |
|
||||||||||||||
Zing Magazine, Issue #19, Winter 2004, pps. 303 –304. |
|
||||||||||||||
|
|
||||||||||||||
Halasz, Piri, From the MayorÕs Doorstep. No.
54: March, 2004 |
|
||||||||||||||
|
|
||||||||||||||
Eleanor Heartney, "Dan Christensen and Ronnie
Landfield at Salander-O'Reilly", exhibition review, Art In America,
February, 2001, pp 146-147. |
|
||||||||||||||
|
|
||||||||||||||
Johnson, Ken,
Ronnie Landfield/Dan Christensen, exhibition review, New
York Times, Aug. 11, 2000, p. E 35,
Aug. 18, 2000. pE33, Aug. 25, 2000, p. E34 (Art Guide, galleries uptown). |
|
||||||||||||||
|
|
||||||||||||||
Cohen, Mark Daniel, "Imagination of Grace, the abstract truth of Ronnie Landfield", June
2000. essay |
|
||||||||||||||
|
|
||||||||||||||
Kramer, Hilton, "Even Artists Are Saying the
Whitney Show's a Stinker", New York Observer, Sept.20 1999 |
|
||||||||||||||
SELECTED
BIBLIOGRAPHY: contÕd. |
|
||||||||||||||
|
|
||||||||||||||
Cohen, Mark Daniel. "Ronnie Landfield: New Works on Paper, Claudia Carr
Gallery." Exhibition
review. |
|
||||||||||||||
|
|
||||||||||||||
Review Magazine, April 1, 1999. pp. 106-108. |
|
||||||||||||||
|
|
||||||||||||||
Forman, Joanne,
"Lyrical Abstraction
Painter Ronnie Landfield Opens His 52nd One Man Show", Exhibition review, Taos News, (Tempo), Aug. 13, '98.,
p. D11. |
|
||||||||||||||
|
|
||||||||||||||
Suzuki, Keiko, "American Artist in Sapporo",
Exhibition review, Asahi Shimbun Press, June 5, 1996, p. 22 |
|
||||||||||||||
|
|
||||||||||||||
Suzuki, Keiko, "Bridge between N.Y. and
Sapporo," Exhibition review, Hokkaido Shimbun Press, June 6, 1996, |
|
||||||||||||||
|
|
||||||||||||||
Anonymous, Exhibition review, Hokkai Times,
June 8, 1996. |
|
||||||||||||||
|
|
||||||||||||||
Monte, Jim. "Seven Painters at Nicholas
Alexander," Exhibition review, Art in America, May, 1996, p.
113. |
|
||||||||||||||
|
|
||||||||||||||
Wilkin, Karen. "At the Galleries", ÔSeven
PaintersÓ, Exhibition review, Partisan Review, 1996 #1, pp. 91-93.
|
|
||||||||||||||
|
|
||||||||||||||
Karmel, Pepe. "Seven Painters", Exhibition review, New York Times, November 17th, 1995. p. C30. |
|
||||||||||||||
|
|
||||||||||||||
Negroponte, Diana V. "Contemporary American
Artists," Catalog, U.S. Embassy, Manila, The Philippines. Dec, 1994 pp. |
|
||||||||||||||
|
|
||||||||||||||
Wei, Lily. Exhibition review, Art In America,
December, 1994, p.106. |
|
||||||||||||||
|
|
||||||||||||||
Moorman, Margaret. Exhibition review, Art News, Summer 1994, pp.
181-82 |
|
||||||||||||||
|
|
||||||||||||||
ÒNew Exhibit goes big, boldÓ Lincoln, Journal-Star, Sunday, May 30th, |
|
||||||||||||||
|
|
||||||||||||||
Messinger, Lisa.
The Landscape in Twentieth-Century American Art: Selections from the Metropolitan
Museum of Art, Rizzoli, New York, 1991, p.165. |
|
||||||||||||||
|
|
||||||||||||||
Hurlburt, Roger.
Exhibition review, "Abstract Panorama", Miami Herald,
April 21, 1991. |
|
||||||||||||||
|
|
||||||||||||||
Hackett, Regina. Exhibition review, Seatlle Post-Intelligencer,
February 1, 1990, p. C9.. |
|
||||||||||||||
|
|
||||||||||||||
Berger, David.
Exhibition Review, Seattle Post- Intelligencer, April 9, 1989,
section L. |
|
||||||||||||||
|
|
||||||||||||||
Wilder, Nicholas. "Thoughts on Ronnie Landfield",
Catalogue, Linda Farris Gallery, Seattle, WA., ,April, 1989. |
|
||||||||||||||
Museum of Modern Art: "The Great Outdoors" Museum of Modern
Art, New York, 1989 Appointment Calendar, p. May 31, 1989 |
|
||||||||||||||
|
|
||||||||||||||
Anonymous. "Visions and Versions", Art
and Antiques, January 1989, p. 30. |
|
||||||||||||||
|
|
||||||||||||||
Ahlander, Leslie Judd. Exhibition review, The Miami
News, April 15, 1988, p.3C. |
|
||||||||||||||
|
|
||||||||||||||
Bass, Ruth.
Exhibition review, Art News, April, 1988, p. 158. |
|
||||||||||||||
|
|
||||||||||||||
Hacket, Regina. Exhibition review, Seattle
Post-Intelligencer,
April 16, 1987, pp. 81-83. |
|
||||||||||||||
|
|
||||||||||||||
Towle, Tony.
"Ronnie Landfield, Twenty years of Abstract Landscapes". Arts, March, 1987, pp. 81-83. |
|
||||||||||||||
|
|
||||||||||||||
Towle, Tony. "Ronnie Landfield," Exhibition Catalogue, Stephen Haller
Fine Art, February 1987. |
|
||||||||||||||
|
|
||||||||||||||
Gatenby, Gregg.
Whales a Celebration, 1983, Little, Brown and Co., p. 198. |
|
||||||||||||||
|
|
||||||||||||||
SELECTED
BIBLIOGRAPHY: contÕd. |
|
||||||||||||||
|
|
||||||||||||||
Blass, Magna. Ronnie Landfield: World of Nature,
unpublished essay inspired by
Portal to Paradise, 1984. |
|
||||||||||||||
|
|
||||||||||||||
Messinger, Lisa.
"Dialogues in Art", Exhibition Catalogue, Palazzo
Ducale di Gubbio, Italy, Sept. 30, 1984. |
|
||||||||||||||
|
|
||||||||||||||
Junker, Howard.
"Black and White Metaphor", Architectural Digest, June 1984. |
|
||||||||||||||
|
|
||||||||||||||
Braff, Phyllis From The Studio, Exhibition
Review, The East Hampton Star, September 22, 1983. |
|
||||||||||||||
|
|
||||||||||||||
Messinger, Lisa.
"Notable Acquisitions," Catalogue. The Metropolitan
Museum of Art, 1982-83. |
|
||||||||||||||
|
|
||||||||||||||
Glueck, Grace.
Exhibition review, "Art View," "20th Century Art,"
New York Times, 1983 |
|
||||||||||||||
|
|
||||||||||||||
Kohen, Helen,
Exhibition review, Miami Herald, March 6, 1981. |
|
||||||||||||||
|
|
||||||||||||||
Yau, John.
Exhibition review, Art In America, Jan. 1981. |
|
||||||||||||||
|
|
||||||||||||||
Raynor, Vivian.
Exhibition review, New York Times, November, 14, 1980. |
|
||||||||||||||
|
|
||||||||||||||
Cotter, Holland.
Exhibition review, New York Arts Journal, v. 13, March-April,
1979, p. 31. |
|
||||||||||||||
|
|
||||||||||||||
Ulen, Sarah.
"Two Decades, American Art from the Collection of Smith College," Exhibition Catalogue, |
|
||||||||||||||
|
|
||||||||||||||
Montclair Art Museum, November 1978-January 1979,
Introduction. |
|
||||||||||||||
|
|
||||||||||||||
Gold, Barbara.
Exhibition review, Baltimore Sun, February 12, 1978. |
|
||||||||||||||
|
|
||||||||||||||
Tuchman, Phyllis. Exhibition review, Art News,. v.77. n.3, March 1978, p.
1974 |
|
||||||||||||||
|
|
||||||||||||||
Cotter, Holland.
Exhibition review, New York Arts Journal, v.8, Feb.- March
1978, p. 37. |
|
||||||||||||||
|
|
||||||||||||||
Frackman, Noel .
Exhibition review, Arts, v.50, n.1, Sept. 1975, pp.8-9. |
|
||||||||||||||
|
|
||||||||||||||
Various Authors.
The Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, New
York: Harry N. Abrams, Inc.
1974. |
|
||||||||||||||
|
|
||||||||||||||
Kim, Whee.
"A Personal Definition of Pictorial Space," Arts, v.49, n. 3, November
1974, pp. 74-78. |
|
||||||||||||||
|
|
||||||||||||||
Peter Schjeldahl. New Abstract Painting: A
Variety of Feelings, Exhibition review, "Continuing AbstractionÓ, The
Whitney Downtown Branch, 55 Water St. NYC. The New York Times, October 13,
1974. |
|
||||||||||||||
|
|
||||||||||||||
Anonymous. ÒWhitney Museum BiennialÓ, Exhibition
Catalogue, Whitney Museum of American Art, NYC December, 1973 |
|
||||||||||||||
|
|
||||||||||||||
Borden, Lizzie.
Exhibition review, Art International, v. 17, n.5, May 1973. |
|
||||||||||||||
|
|
||||||||||||||
Kingsley, April.
Exhibition review, Art International, v. 17, n.5, May 1973, p.
59. |
|
||||||||||||||
|
|
||||||||||||||
Siegel, Jeanne.
Exhibition review, Art News, v. 17, n.5, May 1973. |
|
||||||||||||||
|
|
||||||||||||||
Bell, Jane.
Exhibition review, Arts, v.47, n. 6, April, 1973. |
|
||||||||||||||
|
|
||||||||||||||
Smith, Griffin. Exhibition Review, Miami Herald,
January 1973, Corcoran and Corcoran Gallery, Coral Gables, FL. |
|
||||||||||||||
|
|
||||||||||||||
Carmean, E.A.
"Toward Color and Field", Exhibition Catalogue,
Houston Museum of Fine Arts, 1971. |
|
||||||||||||||
|
|
||||||||||||||
Domingo, Willis.
Exhibition review, Arts, v. 45, n. 8, Summer 1971. |
|
||||||||||||||
SELECTED
BIBLIOGRAPHY: contÕd. |
|
||||||||||||||
|
|
||||||||||||||
Channin, Richard. Exhibition review, Art News, v. 70, n. 4, June
1971. |
|
||||||||||||||
|
|
||||||||||||||
Ratcliff, Carter. "Painterly vs. Painted", Art News Annual XXXVII, Thomas B. Hess, and John
Ashberry, eds. 1971, pp/ 129-147. |
|
||||||||||||||
|
|
||||||||||||||
Lyrical Abstraction, Exhibition Catalogue, New York, Whitney
Museum of American Art, May 18, - June 1971. |
|
||||||||||||||
|
|
||||||||||||||
Lyrical Abstraction, Exhibition Catalogue, Conn., Aldrich
Museum of Contemporary Art, 1970 |
|
||||||||||||||
|
|
||||||||||||||
Domingo, Willis.
"Color Abstractionism:
A Survey of Recent American Painting," Arts, v. 45.n.3,
December 1970, pp. 34-40. |
|
||||||||||||||
|
|
||||||||||||||
Sharp, Willoughby. "Points of View: A taped conversation with four painters," Arts,
v. 45, n.3. December 1970, pp.41-. |
|
||||||||||||||
|
|
||||||||||||||
Prokopoff, Stephen. Two Generations of Color Painting, Exhibition
Catalogue, Philadelphia, Institute of Contemporary Art, October 1- November
6, 1970 |
|
||||||||||||||
|
|
||||||||||||||
Glenn, Connie W.
Exhibition review, Arts, v. 44, n. 8, Summer 1970, p. 23. |
|
||||||||||||||
|
|
||||||||||||||
Bourdon, David,
ÒThe Castelli ClanÓ, Life Magazine, May 1. 1970, pp. 70 –
76. |
|
||||||||||||||
|
|
||||||||||||||
Findlay, Michael. "Young American Artists", The
Contemporary Art Center ,Cincinnati, Ohio, Exhibition Catalogue, Introductory
Remarks, April, 1970. |
|
||||||||||||||
|
|
||||||||||||||
Ashton, Dore.
"Young Abstract Painters:
Right On!" Arts
v. 44, n. 4, February, 1970, pp. 31-35. |
|
||||||||||||||
|
|
||||||||||||||
Anonymous. "Highlights of the 1969-70 Art
Season.", Aldrich Museum of Contemporary Art, Ridgefield,
Connecticut, Exhibition Catalogue, Summer 1970. |
|
||||||||||||||
|
|
||||||||||||||
Ratcliff, Carter. "The New Informalists", Art News, v. 68,
n. 8, December 1969, p.72. |
|
||||||||||||||
|
|
||||||||||||||
Bourgeois, Jean Louis. Exhibition review, Artforum, v. 8, n. 4, December,
1969, p.72. |
|
||||||||||||||
|
|
||||||||||||||
Anonymous, ÒWhitney Museum of American Art: Annual
ExhibitionÓ, Exhibition Catalogue, Whitney Museum of American Art, NYC. Dec.1969. |
|
||||||||||||||
|
|
||||||||||||||
Aldrich, Larry.
"Young Lyrical Painters," Art In America, v. 57, n.
6, November-December, 1969, pp. 104-113. |
|
||||||||||||||
|
|
||||||||||||||
Johnson, William. Exhibition review, Art News, v. 68, n. 8, December
1969, p 16. |
|
||||||||||||||
|
|
||||||||||||||
Junker, Howard.
"The New Art: It's
Way, Way Out," Newsweek, July 29, 1968, pp. 3, 56-63. |
|
||||||||||||||
|
|
||||||||||||||
Anonymous, "Avant the Avant-Garde", Esquire Magazine, Sept. 1967, p.
134. |
|
||||||||||||||
|
|
||||||||||||||
Anonymous, ÒWhitney Museum of American Art: Annual
ExhibitionÓ, Exhibition Catalogue, Whitney Museum of American Art, NYC. Dec.1967. |
|
||||||||||||||
|
|
||||||||||||||
|
|
||||||||||||||
|
|
||||||||||||||
|
|
||||||||||||||